Until September 2024, I was Reader in Digital Culture and Sonic Arts at the Royal College of Art, in London, where, alongside postgraduate teaching, I ran the seminar ‘Fugitive Voices’ —a series of conversations with guest artists and theorists, such as Banu Cennetoğlu, Elizabeth Price, Hypatia Vourloumis, Season Butler, Abbas Zahedi, Lee Gamble, Jenna Sutela, and others—airing monthly on Stegi Radio. Since December 2024, I am Assistant Professor in Sound Studies and Sonic Arts, at the School of Fine Art/ Music Department, Aristotle University of Thessaloniki.

Some of my latest projects include The Passing, a site-specific sound installation drawing on the tradition of lamentation to compose a generative piece; and Future Chorus, a vinyl album based on a collection of sound and spoken word combined with machine learning processes, featuring mixes by AGF, Chino Amobi, Lafawndah & Trustfall, Harrga, and Savvas Metaxas. For this project I co-founded MAENADS, a growing collective and platform for sonic, visual, performative and text-based projects. As member of the art group AUDINT, I co-edited the anthology Unsound: Undead (Urbanomic 2019) and created and toured a series of exhibitions under the same name. I am founder and co-editor of the Media Philosophy Series (Bloomsbury) and author of the monograph The Rhythmic Event: Art, Media and the Sonic (The MIT Press 2014).

My work has been presented, taught, performed and exhibited at sound and media art festivals, such as Sonic Acts, CTM , Unsound, Mira, Bristol New Music festival, Abandon Normal Devices, and art centres such as Tate Modern , the Institute of Contemporary Arts (ICA) London, Somerset House , Arebyte Gallery , Spike Island Bristol, and Onassis Stegi Athens, and academic institutions, such as Harvard University, Bauhaus-Universität Weimar, The New Centre for Research & Practice New York, Oxford University, Sandberg Instituut, University of Glasgow, Bergen Centre for Electronic Arts, University of Washington, among others, in the hope of sharing tools and methods with which to resist dominant narratives and speak with/ listen to other voices.